2025-01-13

Cutting Board : 2025-01

Cutting Board
13 January 2025
Acrylic on canvas
16 x 20 inches (40.6 x 50.8)

I had a canvas from a frame I purchased and used for another painting. However, that was a print and I ended up repurposing this frame and putting it back in its home. It was a painting of a tent in the mountains and had some areas of thick paint. I didn't want that texture so I tried sanding those areas. That wasn't a very good idea so I tried flipping the canvas. I have the tools to reattach the canvas, but didn't think there would be enough canvas to pull it tight. The sanding didn't work so I had little to lose. It ended up working pretty well and I was happy with its taught-ness. The original was by Herman of Houston (couldn't find any info) and the aging of the canvas was perfect. If I could treat canvas to make it look like that, I would certainly do it. I had no plan when I started painting and rather made some generic shapes. They kind of appeared avocado or olive like, but then I saw the fish. I felt compelled to go with it.

The gif shows the original painting and a couple days of work.
Cutting Board found itself flipped and back in its original frame.

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2025-01-09

Allium Alley : 2025-01

Allium Alley
09 January 2025
Acrylic on canvas
14 x 18 inches (35.6 x 45.7)

This was the third painting for the Purple Colorado call for artwork (see Alpine Asters). It was a follow up since I painted one with a vertical orientation - they were supposed to be horizontal. I painted over Stones Will Cry because I wasn't very happy with it and it didn't do the subject justice. It also had a frame ready to use.

A gif showing some of the stages - painted in one day.

In the frame I made for the original canvas.

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2025-01-08

Lupine Lane : 2025-01

Lupine Lane
08 January 2025
Acrylic on hardboard
14 x 25 inches (35.5 x 63.5 cm)

This was the second painting (along with Alpine Asters) for the "Purple Colorado" call for artwork. I really liked this one although I intended for the clouds to be more subdued and, like the other submissions, it could be argued the landscape/scenery might over power the Lupine.


This was pained in one day (minus a primer coat a few days before).

I cut the hardboard to fit this rather ornate frame.

For posterity, this was originally in the frame. It had glass and the
centerpiece is 3D so the frame had some good depth.

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Alpine Asters : 2025-01

Alpine Asters
08 January 2025
16.5 x 28.25 inches (41.9 x 71.7 cm)
Acrylic on hardboard

This was painted for a call for artwork, "Purple Colorado". Artists were to explore Colorado on a micro level - depicting flora and fauna native to the Rocky Mountains as the primary subject matter. The stipulations were; the artwork must not depict people (unless in a subtle manner), must not depict scenery or landscape as the main subject manner and must incorporate the color purple as a key element. I think most viewers of this would argue scenery and/or landscape compete for the main subject. After I though I had my two pieces to enter, I reread the requirements and saw the art needed to be in a horizontal format. Oops. Other submissions included Lupine Lane and Allium Alley. This was written before the piece was juried so I'll have to make an update.

A gif (left) showing some of the stages. The hardboard was cut to fit
this frame (on the right) which originally held a mirror.

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2024-12-24

Fifteen Right : 2024-12

Fifteen Right
24 December 2024
Acrylic on canvas
18 x 24 in (45.7 x 60.9 cm)


The sky is unusually dark but makes a great contrast with the clouds. This was painted over a landscape (shown below) but I thought it was painted over Last Exit. This isn't a last exit, but one of many exits encountered in the season of thunderstorms. Often given a choice in direction, this jet clearly chose wisely going fifteen degrees right. The sky is apple barrel's (Plaid) True Navy, and while it's a great color, it can be frustrating to get consistent coverage. In this instance, I don't particularly mind since it adds to the sky's dynamics.

The painting I purchased with the intent of repurposing. I called it Blue Lake. I probably paid
too much for it, but it was old, had some character, and was on a solid Fredrix frame - I'll take it.

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2024-12-23

Boomer : 2012-12

Boomer
23 December 2024
Acrylic and oil on canvas
11 x 14 in (27.9 x 35.6)


Kimberly bought me some oil paints and this was the canvas on which I first tried. The background is oil but some acrylic is on top. I like what you can do with oils, but the logistics keep pushing me away. The clean up and drying time are the two biggest factors. Even thought the surroundings are already rough and tumultuous, the boomer clearly expresses its dominance.

I found a frame which I think really makes the colors pop.

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2024-12-11

Florida Bovine : 2024-12

Florida Bovine
11 December 2024
Acrylic on vinyl
18 x 18 in (45.7 x 45.7 cm)


I was on a trip through Florida and saw this ship off the Fort Lauderdale Beach. It was a great contrast against the sky and reminds me how massive the oceans are. This ship is huge, but it isn't really huge on the Atlantic. Painting the ship itself stressed me out a bit, but I was happy how it turned out. It's called Florida Bovine because I painted over a print of a cow gifted to me by a friend. Funny enough, the day before I finished this, I saw the same print in the restroom of a Chick-fil-A.

This is a gif showing the original bovine. This cow waited over seven months for me to get to it.
I used it to clean brushes in the interim, but once started, it was a couple days.

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2024-12-10

Musket Mesa : 2024-12

Musket Mesa
10 December 2024
Acrylic on canvas
18 x 24 in (45.7 x 60.9 cm)


I wanted to keep this one simple. I love the contrast of mesas/hills against the huge sky. I'm still working on painting mesas but was pretty happy with these. I painted over something but have no idea what it was. I was getting better at that, but slipped on this one. It seems the mural had taken too much attention.

This was a paint-over from Last Exit, 2024.
I didn't think the painting conveyed what I wanted to convey and/or wasn't high quality.

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2024-12-09

Kroger Mural : 2024-12

Kroger Mural (Garden Peak)
09 December 2024
Acrylic on hardboard
8 x 24 ft (2.4 x 7.3 m)

Installed at Store #151 (King Soopers) at 2731 North Gate Boulevard, Colorado Springs.
Opening ceremony , 22 Jan 2025.

Kroger uses local artists to provide work for new stores. They work through galleries to find those interested. The gallery in my neighborhood was Cottonwood Center for the Arts (CCARTS). Artists submit a sample of previous works and three finalists are chosen. The finalists submit sketches for the specific piece/them and then one is chosen. Kroger does have room to make tweaks/suggestions. They pay a pre-determined amount which doesn't cover any expenses. It's a good challenge to control expenses. For a new store in Colorado Springs (which happens to be close to my home), I was fortunate to be selected. It was about the end of August when I was selected and the deadline was mid December.

The project took about three months to the day. I didn't take pictures of all the sketches but the first two frames of the gif show how they all looked. Because the far right panel had the Academy and the jets, I started with that panel. In other words, those three things (to me) needed to be relatively accurate and that in turn, is technically harder. With that panel finished, the rest were much more fluid. Starting from the right also let me get the contrails finished and aligned. The original sketch of Garden Peak had the contrails crossing three panels. Because the panels are separate, there is always a risk of a non-perfect alignment. With shorter contrails, I reduced the alignment issue from two seams to one.

How I transferred the image / how I did it. After some comments from Kroger, I made this final sketch of Garden Peak. I made it at the correct proportions on a panel of generic wall art. The painted area of the sketch is 8x24 inches - which was 1:1 for the final or 8x24 feet. Funny aside, the three original sketches (Kroger Project) were made with an incorrect proportion. They would have been eight panels of 4x8. Kroger reminded me of that saying they look too "panoramic". As it turns out 6x4 is 24, not 8x4. That comment saved me two panels that would have been scrapped. Since the sketch was at the right proportions (finally), I made a cutout on stock paper (the white rectangle) which was 4x8 inches. That hold represented one panel. I placed a panel against the wall, slide the 'viewfinder' over the appropriate place and sketched it with a carpenter pencil. I went over some of the pencil lines with black paint which was fun since it made a great contrast against the sky and details didn't yet matter.

This was the picture I assembled from three shots of two panels together. It was the first time I saw them together. I was working in my garage and it sufficed, but I could only see two panels at once. In fact, that was a stipulation in my setup. As long as I could see two together, I had faith they'd match okay when together. I would just shuffle the panels as I moved across the scene.

This is the same picture as the top of the page, but with more of the wall. It has good placement - it gets its own wall, is right by the entrance, and can be seen through windows from the parking lot. This was the first time I saw all the panels together in real life. I thought it worked out swell.

Above left is the back of one panel. The size of mural lent itself perfectly to 4x8 panels. I used hardboard tempered panels (by EUCABOARD) of 3/16 inch thickness. They make a 1/8 inch thickness which is almost half the price, but I wanted the stability of the thicker panels. In retrospect, I think the 1/8 inch think panels would have worked since they were fastened to the frame. The frame is select kiln-dried square edge common softwood whitewood (also from Home Depot). I used this wood because it was very uniform and made great sides. The cross beams are 2x2s and one 2x4. The 2x4 was used to make a French cleat. Screwing the cleat to the side of the frame avoided having to bolt/connect the cleat through the front of the panel. Above center shows the panels in a rental U-Haul box truck, and above right is the bare wall prior to hanging. It was a great project and a learned many things.

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